The Apparatus
Mireia Mainer, as she is known by the members of the Apparatus except for Francesc Bastida who knows her real name, is also involved in the process of assimilating the inevitable circumstances of her life. She knows she could live for a long time in that village located in the Segrià region under the name of Mirelha Arnal and the excuse of a remote working. She is used to move and survive. Loneliness is not a situation to be worried about. Therefore, she preferred not to accept the possibility to hide herself in the safe house at Mallorca street and left Barcelona without Marta.
Mireia agreed to be part of the apparatus, seven years ago, thanks to the ability of Francesc Bastida to hide, with a veneer of morality and ideology, the criminal activities of the group. And money. At that time, the Apparatus was a group of ten people at the most, organized to commit specialised robberies. An important number of these assaults were commissioned. Mireia’s resources, her speciality, the reason why the Apparatus needed a person like her, were her knowledge of Gothic and Romanesque art.
Mireia Mainer was educated since she was a child among nuns, in the religious fervor of the monastery of Ferreira de Panton. At the end of high school she was sent to Rome to continue her studies of sacred art. Her inclination was not born under the protection of the monastery, surrounded by habits, prayers and rosaries. Mireia’s fire was ignited with the revealing experience of contemplating the arc of San Xoán de Panxón, a calling that led her to specialize in Ottonian art and the relations between the Byzantine Empire and the Kingdom of the Suebi. It was in Rome where she found Francesc, or rather, where Francesc could finally find her.
Therefore, the aim of the Apparatus would be an antique dealer in London. The function of Mireia, to validate the accuracy, the authenticity of the object to remove. So brief was the presentation of the work by Francesc Bastida in a cafe at Via Tacitus. It was summer, she had finished her academic life and Dr. Mireia Mainer had no alternative plan, had nothing to lose.
And now, seven years later, she was far away from Galicia, far from Rome, in a house, part of the perfect urban grid designed at the time by an Enlightened architect.