41

‘Mecanoscrit del segon origen’:

Alba, a fourteen year old girl, virgin and brunette, was coming back from her house’s orchard with a basket full of ‘coll de dama‘ black figs when she stopped to scold two boys for beating another boy, pushing him towards the weir. She said:

“What did he do?”

And they answered, “We don’t want him with us because he’s black.”

“And what happens if he drowns?”

And they shrugged their shoulders, because they were two boys, grown in a ruthless environment, full of prejudices.

And then, when Alba had already left the basket to plunge into the water without removing her clothes, since she was only wearing shorts and a blouse on her skin, the sky and the earth began to vibrate with a kind of deaf trepidation that was accentuating, and one of the boys who had raised his head said:

“Look!”

All three saw an apparatus forming and approaching from the distance, and there were so many that covered the horizon. The other boy said:

“They’re flying saucers, man!”

And Alba looked still for a moment at the strange flat oval objects that advanced hastily towards the town, while the earth and the air trembled and the noise grew, but she thought back to her neighbour Margarita’s boy, Dídac, who had disappeared into the depths of the weir, and she dived into the water, behind the boys, who had completely forgotten about what they were doing, and who now said:

“Look at  them shine! They look like fire!”

40

The first shot of vodka

Francesc arrived first. He asked for a beer and rubbed his hands through the jeans while examining the place again. Just in case. He recognised her by her way of dressing, when she turned around to close the door quietly. Some minutes later, when she went to the toilet, he realised about that fact: to recognise someone else not by the face or the body but the clothes. She recognised him quickly too. Actually, there was not a lot of people and he was the only one alone in that bar.

Katerina was the one to make the first step, to contact Francesc, weeks ago, thanks to a mutual friend during an academic visit to Berlin. It might seem random, but it is not. People go to certain places depending on their tastes, their intentions and their possibilities and none of this is part of the characteristics of chance. I mean, both Katerina and Francesc’s friends went to the same place because they were looking for someone like them.

Francesc started to make contacts with people who were interested in acquiring a very specific kind of weapons. The first time he witnessed a conversation on the subject he did not think about the possibility, he was just there, listening without any interest. But when he arrived home, when he sat together with his brother in front of the TV to tell him about that evening, he realised that perhaps it was an interesting business to take care of. It would not be so difficult to find a contact abroad, ask some questions and evaluate the potential earnings and risks.

And that is why Katerina was there, to give information, data, basically numbers, related to ammunition, calibre, boxes and calculation made by herself during the long and boring journey via London. Those calculations, those ideas had an objective: to encourage Francesc to enter the game with her. She said to Francesc, simple and clear, that they should be partners, before the waiter placed over the bar the first shot of vodka.

39

Ever wonder if it’s forever, the moment passes,
but I feel you now, all the way down…

Biffy Clyro “All the Way Down”

We seemed to always be the first ones to rescue each album from the stores. And I say rescue, because none of the shop assistants working at those record stores, no matter how much they loved music, could ever get to treat those little square boxes with the same special care we did.
In fact, we were probably never the first ones. The kind of album that we were looking for, from American or English indie bands, did only reach the shopping center of our village  weeks after its original publication abroad.

It was then that the Barcelona of the late nineties became our little paradise on earth, a paradise with its epicenter in Carrer Tallers, the endless source of the one and only thing that mattered to us in life: music. Stores like Revolver, Discos Castellò or Arise, kept those little gems that we wanted so badly.

The ritual after the release of an album was always the same, but each of the instances became a unique moment, almost as unique as each album. I remember the excitement around the opening of the plastic wrap, inhaling the smell of the paper booklet for the first time, reading the poetry in the lyrics without having heard a song yet. But the real magical moment came with the first listening of the albums opening theme.

“It’s My Job to Keep Punk Rock Elite” of ‘So Long and Thanks for All the Shoes’ by NOFX, “Feticeira” from White Pony Deftones, “Panic”, the ‘Launched’ Beatsteaks, “Glitter and trauma “, from Biffy Clyro’s  album of the same name… the list is endless.

We had a different way of understanding music. We stared at each other without saying a thing – but telling each other everything – while the first notes came out of the huge black speakers in those years. We felt superior to the rest of the world for finding concealed nuances in each song, unveiling clever hidden tricks in the magic of each rhythm, in the mastery of every unexpected change in the tone, in those choruses full of poetry that made our souls explode.

Perhaps someday the time will come when we will realise that we were never that special, that despite what we had always thought, we were no more than simple organisms that are deconstructed with the proper arrangement of notes…

So fragile …

Our soul boiling with every chord, our mind in full swing while deciphering the impossible lyrics of every song.

Those long afternoons lying in bed, the music pounding our eardrums at an insane volume.

And our eyes, lost in a kind of unbelievable trance. Those contained screams camouflaged behind each instrument.

The black rubber flooring of the stage, the yellow light in the tubes. Feeling that the chill that once ran through your skin is still there, endless.

Perhaps someday the time will come when we will realise that we were never that special…

Perhaps…

38

Do you remember how blue the sea was when we were together?

We were watching the sea open her arms to hug the sky.

Do you remember how blue the sea was when we were together?

We were imagining how the sea would taste like honey.

We wanted to go somewhere else.

To see if the sea would be as sweet as in our dreams.

We wanted to go anywhere else.

To see if life would be sweeter behind the sea.

We wanted to go under the sea.

To let the hot water caress our bodies.

We wanted to go under the sea.

To let waves hug us and take us away, far away.

We wanted to go anywhere else.

We wanted to go under the sea.

Take us away.

Over the sea.

 

37

Manuel de Pedrolo

‘Touched by Fire’

1959

She saw Sogues look up and partially open her lips as if she were about to ask something. But the girl merely looked at him for a moment before digging into the beans again with her fork. Anto took the bottle and poured wine into all four glasses.

“Legumes make you thirsty.”

The woman took a swallow and, with moistened lips, said:

“In the village, some years we ate them all winter long.”

Her husband replied:

“It’s not winter now.”

“I know.”

Ange swallowed the forkful he had just put in his mouth, and then inquired:

“Did you have your own land?”

It was her he was asking, but her husband answered before she could:

“A little bit…”

Sogues, putting down her glass, specified:

“Three little fields and a house.”

“Well, I don’t know if you could call it a house…”

“It was better than this, anyway.”

She saw that the young man was looking at her again, but he quickly turned his eyes toward Anto.

“Did you sell it, when you left there?”

“No. I’ve never believed in selling anything.”

Ange reached for the wine, but didn’t raise his glass from the table.

“Did you lease it to someone, or what?

“No, I don’t want to get into problems.”

Sogues looked at the young man, who was now drawing the glass to his mouth. Isa looked at both of them, and when Ange had taken a drink, she asked him:

“What about you? Do you have anything?”

The youth responded with a look of surprise:

“Me?”

“Aren’t you a farmer’s son yourself?”

“My father was a day laborer. He never owned anything but the clothes he had on.”

He picked up the fork and, with the help of the piece of bread, cut off a piece of sausage, adding:

“And I’m glad of it.”

Isa noticed that her husband was wrinkling his brow, and she observed how one of the beans slid down the edge of his fork and fell back onto the plate.

“What? I’ve never heard anyone say that before.”

The young man chewed the piece of sausage he had between his teeth, and now his expression was serious too, almost severe.

“Maybe not. But you see, to me possessing things seems immoral.”

There was a sudden, heavy silence until the husband scratched his neck with a puzzled look and then expressed his amazement aloud:

“Immoral? What do you mean?”

“I mean if I owned something I’d feel guilty.”

Anto set his fork back on the oilcloth with a disconcerted expression.

“I don’t get it.”

Sogues looked up from her plate and almost smiled.

“I do.”

Her father moved his head, but didn’t look at her.

“You be quiet.”

36

It’s me and the animals. Their growls, their pawns, their scars… The fear in their eyes as the solid white round moon above announces the end of us.

It’s me and the darkness now, like lovers blindly looking at each other, feeling one another like lost animals. The silence is so immense I could even hear my heartbeats. If only I wanted to.

Alone for the very first time, I acknowledge the simple and undeniable truths of silence, and open my ears to many other mysterious sounds I never knew existed. It is only there and then, in the depths of my own absolute calm, that I am finally able to hear her; she has the most beautiful voice in the entire world.

I imagine her golden hair gleaming at the night, her soft skin healing my fingertips, her burning eyes. But she will never be the same in every thought; in my dreams she’s always changing. Every time I open my eyes again my memory of her will be gone in a second. Every time I wake up from a dream the animals are still there, they feed from my memories, they crave on the images I keep of her.

It’s her and the elements, her terrible way of telling the moon she is never coming back. The rain falling over the burning fields, as if to break fire into little pieces. The fury in every flame coming flickering back and forth, threatening to burn both of us from the inside.

It’s us and the other beasts, growling forever, our eyes and their eyes fixed in some random point in the distance. The fear in our eyes as we tell the moon that it’s the end of us.

35

STREET VENDORS (AND OTHER SUBURB DELIGHTS)

vendedores ambulantes

For sale: endings. I have them in all colors: worn, souring, completely wrong. Prejudiced, consistent, decisive. For sale: endings, one by one, and they are sold in a cared Luxury Edition, enclosed in freezer bags and decorated with a red satin ribbon (blood red, for those who doubt about it).

For sale: endings for desperated people, for old flames, for old smiles. For those who never knew to say goodbye, and for the flirty ones with vacuous look. Endings made of false ink, that one reappearing throughout the years. Endings for those who don’t like the endings, for those who have seen too many station kisses, for those who don’t want to run anymore. For those who flee and seek finding themselves.

For sale: clever, clumsy, painful endings. Endings that will persecute your whole life, endings that you don’t know why they arrived, endings that will make you cry when you see them. All of them soft, or steep, or irritating to skin and pupils. To hair. Endings that will eat you nails, endings that remove you the laughter. Endings that aren’t really endings, but things left incomplete. Unexplained endings. Hurting endings. Endings of the own error.

Finally, I have the one euro endings section, those that you don’t mind to carry. They are sold in a gift paper pack; some of them even rolled up in kebap paper (understand it, it’s just an euro…). All handmade by fingers and thumbs. And ladies and gentlemen, here I put my stand, because the weight of all these endings doesn’n let me advance anymore.

 

35

VENEDORS AMBULANTS (I ALTRES DELÍCIES DEL SUBURBI)

vendedores ambulantes

Venc finals. Els tinc de tots els colors: desgastats, amargants, totalment equivocats. Prejudiciosos, conseqüents, decisius. Venc finals, un per un, i els venc en una acurada edició de luxe, tancats en bosseta per a congelats i decorats amb una cinteta de ras de color roig (roig sang, per als que els càpiguen dubtes).

Venc finals per a desesperades, per a antics amors, per a antics somriures. Finals per a aquells que mai van saber dir adéu, i per a les coquetes de vàcua mirada. Finals de tinta falsa, d’eixa que torna a aparéixer al pas dels anys. Finals per als que no els agraden els finals, per als que han vist massa besos d’estació, per als que no volen fugir més. Per als que fugen i busquen trobar-se a ells mateixos.

Venc finals astuts, desmanyotats, dolorosos. Finals que et perseguiran tota la vida, finals que no saps perquè van arribar, finals que fan plorar de veure’ls. Tots suaus, o escarpats, o irritants de pell i pupil·les. De cabells. Finals que et mengen les ungles, finals que et furten el riure. Finals que no són finals, sinó coses deixades a mitges. Finals inexplicables. Finals que et fan mal. Finals del propi error.

Per últim, tinc la secció de finals per un euro, eixos que no importa endur-se’n. Venen en un paquetet de paper de regal; alguns, inclús enrotllats en un paper de kebap (enteneu-ho, total per un euro…). Tots fets a mà, a manassa. I monte ací la parada, senyors, perquè amb el pes de tants finals no puc caminar més.

34.

It is said that the Sami have more than 300 words for snow and ice. Heavy snow, new snow, sleet… But as a half Sami, he does not know them, not yet. He gazes out from the peak where he stands against the white mountain tops and green pine forests. He takes a deep breath and feels the cold air in his lungs. The snow falls softly and lands his shoulders. With a smile he looks up towards the sky and thanks Mother Earth for being on his side.

It has taken him a long time to get here, to finally be free. He never would have guessed the he would end up here, never. His mother’s roots were never something that interested him, even less when his family pointed out how much he looked like a real Sami. He did not want to be different, he wanted to be like everyone else: ‘normal’.

His aunt and uncle had welcomed him with open arms the day he knocked on their door. They had regular jobs like most other Sami, but always needed help with their reindeer’s.

The first night he arrived, one of the women in the village had joiked in front of a campfire. It had been a magical moment he would never forget; the moment when he finally found home.

33

Flowers

 “I would love to fuck you, will you let me?” he whispers in my ear, caressing me with his broken and fluid voice from which I drink like a hungry baby.

But it is not a question. It is in its origin: he is asking me, but when it reaches me it is not anymore; I only hear a desire, a longing that I know not if it is his or mine anymore. And he does not wait for an answer, why would he?, he already knows it, of course he knows it, it cannot be more obvious. Every single fibre in me, every pore from my skin writhes, impulses me against him and screams yes, of course yes, fuck me, disappear inside me and make me disappear with you.

He undoes the only button in his excessively antiquated underwear and he does not need his hands to get rid of it. No, he just gently swings his hips, slowly, like all of his movements, as if elegance fought with languor and made him into a simple continuum of seduction. He moves his hips while he moves his hands all over me and the fabric slides along his perfectly sculpted legs.

I know I am going to lose control, I feel it escaping from me like a handful of sand between my fingers, and I try to fight against it, to resist, because when the moment comes I will no longer be responsible of my actions and I will submit myself to his desires because they are the same as mine. I do not want to be a puppet, I need not to lose control. Once I have lost it I will be completely his, but he will not be mine, not fully. I barely know if he is it even a little.

His tongue tangles over my body opening trails of fire on its way; I melt and I feel myself starting to disappear when he glides it along my penis. I cannot help moaning, and with every moan it escapes from me a shred of my limited self-control. I get tense, or loose. Or…

I want to be able to think with clarity, but I palpitate inside his mouth and his moans blend with mine like a chorus that rises on the same rhythm and the echo of which jumps on the high ceilings of the room. But he retires in the middle of the way, not having gotten close to letting me finish, and I am thankful for it because I want to make this moment last, shape it in my hands and savour it.

The Prince separates my legs and places himself between them, he bends over me and licks my lips with the tip of his tongue.

“Yes…”