3

He hung up the phone and put on his glasses. K´s voice was still resounding in his asleep brain. Where did all that come from? He left the room and dragged himself to the living room. He put the needle on the B side. Joe Strummer started yelling about opportunities. “If they didn’t have a way out back in ’77, imagine now” he pondered over.

It was going to be another tough day.

He couldn’t even remember the last time he saw her. He reflected on how memories are such a volatile thing. There were days when he could remember every sentence of a conversation. Each scent he could feel in those summers. That would normally happen when he was doing some other things and he couldn’t think about it. However, when he wanted to remember images, when he forced them, he could only find blurry sketches. Images, sounds and scents he couldn’t manage. That made him nervous. Now he could visualize many moments. However, they were false images, sounds and scents. They were just blurry memories. Very good memories. Too distant. It was as if he would put his current self, his current mind, and place it in those circumstances. In that space-time. That confused him.

That evening poetry reading was going to be tough.

K was a poet. “She had always been” she used to tell him. She walked as if she were. A sort of Neal Cassady wannabee in the doldrums. Or a sort of Kerouac who had parked his car and had quit partying. The kind of person who brags while describing Kafka’s narrative and then writes like Gabriel García Marquez. That attitude had served her for some time but it was no good anymore.

“Back in the garage with my bullshit detector…”

He took the poetry reading leaflet. It had been around the house for a while but he had not even read it. ‘Seven love and hate poems’ by K. Published by the E.P.A. (Existentialist Poets Association). Gosh, he thought. Now he remembered that K had explained to him about the kickstarter and how they had funded a project to publish poetry. Didn’t they think that there must be a reason as to why no one wanted to publish anything by them? Did they really think the world needed another volume as this one? There was a fragment of a poem in the leaflet:

”Like all those things

that are

too important

to be hidden.

To cross

looking

backwards.

[What really matters is what cannot be seen.]

Going back

to understand.

Seeing

everything

you do not say.

[Believing.]”

It really was going to be another tough day.

3

Va penjar el telèfon i es va posar les ulleres. La veu de la K encara li ressonava al cervell adormit. A què venia tot allò? Va sortir de l’habitació i va arrossegar els peus cap al menjador. Va posar l’agulla a la cara B i l’Strummer va començar a cridar que les oportunitats no existeixen. “Si no tenien salvació al 77, imagina’t ara”, va remugar.

Seria un altre dia molt dur.

Ni tan sols recordava l’última vegada que l’havia vist. Això dels records era una cosa molt canviant, va reflexionar. Hi havia dies que podia recordar cada frase d’una conversa. Cada olor que sentia en aquells estius. Normalment li passava quan estava fent qualsevol altra cosa i no s’hi podia posar a pensar. En canvi quan volia que li apareguessin les imatges, quan ho forçava, només trobava esborranys. Imatges i sons i olors borroses que no podia gestionar i es posava nerviós. Ara podia visualitzar molts moments. Però eren imatges i sons i olors falses. Només eren records borrosos. Molt bons. Molt llunyans. És com si agafés el seu jo del present, la seva ment actual, i el col·loqués en aquella conjuntura. En aquell espai-temps. Això el confonia.

El recital d’aquell vespre seria molt dur.

La K era poeta. “Sempre ho havia estat”, li deia. I caminava pel món com si ho fos. Una espècie de Neal Cassady en hores baixes. O una mena de Kerouac que ha aparcat al cotxe i ha deixat de beure. El tipus de persona que s’omple la boca quan interpreta la narrativa de Kafka i després escriu com Garcia Márquez. Aquella postura li havia servit durant un temps, però ara no l’ajudava gens.

Back in the garage with my bullshit detector…

Va agafar el tríptic del recital. Feia com deu dies que corria per casa però ni se l’havia mirat: “Set poemes d’amor i odi, per K. Publicat per l’A.P.E. (Associació de Poetes Existencialistes).” Déu meu, va pensar. Ara recordava el que li havia explicat la K sobre el kickstarter i com hi havien finançat un projecte per publicar poesia. No havien pensat que, si cap editorial els volia publicar, seria per alguna raó? Realment pensaven que el món necessitava un altre volum com aquest? A l’interior del tríptic es podia llegir el fragment d’un poema:

“Com tot allò

que és

prou important

per ser amagat.

Creuar

mirant

enrere.

[El que importa és tot allò que no es veu.]

Retrocedint

per entendre.

Veient

tot allò

que no dius.

[Creient.]”

Realment, seria un dia molt dur.